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Sony PXW-FS7M2 XDCAM Super 35 Camera System

฿299900.00
Super 35-Sized CMOS Sensor Locking Sony E-Mount ราคาสินค้ายังไม่รวมภาษีมูลค่าเพิ่ม 7%
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  • หมวดหมู่ : SONY XDCAM Camera
  • รหัสสินค้า : 001007

รายละเอียดสินค้า Sony PXW-FS7M2 XDCAM Super 35 Camera System

จำหน่ายกล้องวีดีโอ Sony PXW-FS7M2 XDCAM Super 35 Camera System รุ่นใหม่ล่าสุดจาก SONY มีสินค้าในสต๊อกจำนวนมากพร้อมส่งถึงมือท่าน หรือจัดส่งฟรีทั่วประเทศ 
 
 
FS7Mii ราคา 369,000.- (ไม่มีเลนส์)
(ยังไม่รวมภาษีมูลค่าเพิ่ม 7%)
 
 
 
 
ลักษณะเด่นของกล้อง SONY PXW-FS7Mii
  • - Super 35-Sized CMOS Sensor
  • - Locking Sony E-Mount
  • - Integrated Electronic Variable ND Filter
  • - DCI 4K (4096 x 2160) up to 59.94p
  • - UHD up to 59.94 fps, HD up to 180 fps
  • - XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
  • - Supports Rec. 709 and BT-2020
  • - Dual XQD Memory Card Slots
  • - Dual HD/3G-SDI & HDMI Output
  • - Ergonomic Handgrip with Camera Controls
 
Expanding on the original FS7,Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.
 
 
Sensor
The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color
 
gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used
 
for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in
 
two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD
 
using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice
 
of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient,
 
recording at modest bit rates and XAVC Long also substantially extends the recording
 
Signal Processing
 
The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI
 
offers three color grading spaces for electronic cinematography production. The
 
Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb,
 
Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor
 
on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with
 
Locking E-Mount
 
The PXW-FS7M2 is equipped with a locking E-Mount that provides improved
stability andstrength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
 
Electronic Variable ND
 
Behind the lens mount sits a retractable clear filter. When you engage the
internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger
than aluminum. This allows the camera body to weigh only four pounds.
It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of theSmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
 
SmartGrip
 
The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.
 
Internal Recording
 
The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
 
Media Card Slots
 
The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2
compared to the FS7, making inserting and removing media cards easier.
 
Genlock and Timecode
 
Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.
 
SPECIFICATION SONY FS7 MARK II
 
Image Device
Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements
17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio
57 dB (Y)
Sensitivity
2000 lx, 89.9% reflectance
T14 (3840 x 2160/23.98p mode 3200K)
 
ISO Sensitivity
ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination
0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
Signal System
NTSC / PAL
Built-in Filters
Clear, 1/4, 1/16, 1/64
LCD Monitor
3.5" / 8.8 cm
Approx: 1.56M dots
Speaker
Monaural
Shutter Speed
1/3 to 1/9000 of a sec
White Balance
Preset
Memory A
Memory B (1500K-50000K)/ATW
Gain Selection
-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve
STD
HG
User
S-log3
Shooting Formats
4K 4096 x 2160
12-bit raw
 
UHD 3840 x 2160
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L
 
2K 2048 x 1080
12-bit raw
 
HD 1920 x 1080
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2
 
HD 1280 x 720
MPEG2 4:2:2
Audio Recording Format
LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
Recording Formats
XAVC-I QFHD MPEG-4 H.264/AVC
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
 
XAVC-I HD MPEG-4 H.264/AVC
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s
 
XAVC-L QFHD MPEG-4 H.264/AVC
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
 
XAVC-L HD 50 MPEG-4 H.264/AVC
VBR, maximum bit rate 50 Mb/s
 
XAVC-L HD 35 MPEG-4 H.264/AVC
VBR, maximum bit rate 35 Mb/s
 
XAVC-L HD 25 MPEG-4 H.264/AVC
VBR, maximum bit rate 25 Mb/s
 
MPEG-2 Long GOP
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
 
XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
 
XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L QFHD 50
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
MPEG-2 Long GOP
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Recording Frame Rate
XAVC-I QFHD
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
 
XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L QFHD
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
 
XAVC-L HD 50
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
 
XAVC-L 25
1920 x 1080/59.94i, 50i
 
MPEG-2 Long GOP MPEG HD422
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Slow & Quick Motion Function
XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p)
XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p)
XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
Maximum Recording Time
XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
 
XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
 
XAVC-I mode QFHD 29.97p
When using QD-G128A (128 GB): Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes
 
XAVC-I mode QFHD 23.98p
When using QD-G128A (128 GB): Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes
 
XAVC-I mode QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes
 
XAVC-I mode HD 59.94p
When using QD-G128A (128 GB): Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes
 
XAVC-I mode HD 50p
When using QD-G128A (128 GB): Approx. 71 minutes 
When using QD-G64A (64 GB) Approx. 35 minutes
 
XAVC-I mode HD 59.94i
When using QD-G128A (128 GB): Approx. 118 minutes 
When using QD-G64A (64 GB) Approx. 59 minutes
 
XAVC-I mode HD 50i
When using QD-G128A (128 GB): Approx. 141 minutes 
When using QD-G64A (64 GB) Approx. 70 minutes
 
XAVC-I mode HD 29.97p
When using QD-G128A (128 GB): Approx. 118 minutes 
When using QD-G64A (64 GB) Approx. 59 minutes
 
 
XAVC-I mode HD 23.98pM/b>
When using QD-G128A (128 GB): Approx. 147 minutes 
When using QD-G64A (64 GB) Approx. 74 minutes
 
XAVC-I mode HD 25p
When using QD-G128A (128 GB): Approx. 141 minutes 
When using QD-G64A (64 GB) Approx. 70 minutes
 
XAVC-L mode QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 87 minutes 
When using QD-G64A (64 GB) Approx. 44 minutes
 
XAVC-L mode QFHD 29.97p/23.98p/25p
When using QD-G128A (128 GB): Approx. 131 minutes 
When using QD-G64A (64 GB) Approx. 66 minutes
 
XAVC-L 50 mode
When using QD-G128A (128 GB): Approx. 262 minutes 
When using QD-G64A (64 GB) Approx. 131 minutes
 
XAVC-L 35 mode
When using QD-G128A (128 GB): Approx. 374 minutes 
When using QD-G64A (64 GB) Approx. 187 minutes
 
XAVC-L 25 mode
When using QD-G128A (128 GB): Approx. 524 minutes 
When using QD-G64A (64 GB) Approx. 262 minutes
 
MPEG HD422 mode
When using QD-G128A (128 GB): Approx. 262 minutes 
When using QD-G64A (64 GB) Approx. 131 minutes
Media Card Slots
2 x XQD
1 x SD (for configuration data only)
Input and Output Connectors
Audio Input
2 x 3-pin XLR
Line/mic/mic +48
Mic Reference: -40. -50. -60 dBu
 
SDI Output
2 x BNC HD/3G-SDI
SMTPE292M/424M/425M
 
HDMI 2.0
1 x Type A
 
USB
USB device, miniB
 
Headphone
1 x Stereo mini jack
-16 dBu 16 Ohms
 
Remote
Stereo mini jack (Φ2.5 mm)
Accessory Shoe
Multi-Interface (MI) shoe
Power Requirement
12 VDC
Power Consumption
Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Battery Operating Time
BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
Temperature
Operating: 32 to 104°F / 0 to 40°C
Storage: -4 to 140°F / -4 to 140°C
Dimensions (WxHxD)
6.14 x 9.41 x 9.72" / 156 x 239 x 247 mm
Weight
4.4 lb / 2.0 kg: Body Only
9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card