จำหน่ายกล้องวีดีโอ Sony PXW-FS5M2 4K XDCAM Super 35mm Compact Camcorder ราคาสินค้ายังไม่รวมภาษีมูลค่าเพิ่ม 7%
หมวดหมู่ : SONY XDCAM Camera
รหัสสินค้า : 001203
รายละเอียดสินค้า กล้องวีดีโอ Sony PXW-FS5M2 4K XDCAM Super 35mm
กล้องวีดีโอSony PXW-FS5M24KXDCAM Super 35mm Compact Camcorder
กล้องวีดีโอรุ่นใหม่ล่าสุดจาก Sony รุ่น PXW-FS5M2
Super 35-Sized CMOS Sensor, E-Mount
4K/2K Raw Output with External Recorder
Full HD up to 120 fps, 240 fps Burst
Electronic Variable ND Filter
Dual Media Card Slots
Optional External Recorder
Stunning new Super 35 look
FS5 II’s all-new default look is specifically tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look tuned with the same expertise as Sony’s world-leading VENICE digital cinematography camera. Straight out of the camera your content will look fresh and vivid, with subjects that really stand out, while still retaining plenty of latitude for post production refinement due to the high performance Super 35 ExmorTM sensor.
Making an impact
Standing out from the crowd isn’t easy. FS5 II makes it easy with complete creative freedom: slow down time with phenomenal high frame rates up to 120fps in 4K and 240fps 2K/Full HD. Deliver spectacularly vivid HDR imagery with a choice of HLG and S-log2/3.
Grab and shoot mobility
Lightweight but robust, FS5 II is an endlessly adaptable camcorder for capturing breath-taking imagery anywhere the action takes you. Its modular design makes it easy to reconfigure for any application including mounting on a gimbal or drone.
High Frame Rate (HFR) recording
FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design® Odyssey 7Q.
Internal / Output
Continuous / Burst
4K (4096 x 2160)
60 / 50 fps
Output FS RAW
4K (4096 x 2160)
120 / 100 fps
Output FS RAW
Burst four seconds
2K (2048 x 1080)
240 / 200 / 120 / 100 fps
Output FS RAW
Full HD (1960 x 1080)
120 / 100 fps
Internal recording XAVC HD 422 10 bit
Continuous, or burst sixteen seconds
Full HD (1960 x 1080)
240 / 200 fps
Internal recording XAVC HD 422 10 bit
Burst eight seconds
FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. 8-second cache recording on to SDXC card means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. FS5 II also records continuous 120fps internally in Full HD. Higher frame rates of 480 fps and 960 fps are possible at specific resolutions.
Spectacular HDR performance
Demand for HDR content is increasing and FS5 II offers you a choice of two powerful workflows. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows.
Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content.
S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading.
4K Super 35 Exmor (TM) sensor
FS5 II is built around a high-sensitivity 4K Super35 ‘Exmor’ CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion.
4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.
Super 35 size sensor offers ‘bokeh,’ the defocussed backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view.
14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.
Sony’s Exmor CMOS design provides high-speed full-pixel read-out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimised.
Record 10bit 4:2:2 in Full HD at up 50Mbps internally.
Record 4K at 60**/50 fps in FS-RAW via a compatible third-party external recorder, such as ATOMOS Shogun and Convergent Design® Odyssey 7Q.
* RAW output
α mount flexibility
Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. FS5 II’s E-Mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, FS5 II makes it easy.
You can also purchase FS5II on its own (PXW-FS5M2) or with lens SELP18105G (PXW-FS5M2K).
Built-in electronic Variable ND Filters
FS5 II features Sony’s unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND Filters, the electronic ND Filter on FS5 II can be controlled from 1/4ND to 1/128ND linearly. ND Filters can also be set to auto. This makes FS5 II ideal for fast-moving shoots in changeable environments – there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control.
New look and creative picture profiles
FS5 II features an all-new default look with beautiful highlights and subtle, well rendered facial tones for more emotive visuals where your subjects naturally stand out. FS5 II saves time in post production while still providing all the flexibility and creative latitude you require. There’s also an additional nine Picture Profiles, including ones customised for S-Log2, S-Log3 and a profile specifically tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds.
Image right shows a comparison between FS5 and FS5 II default gamma curves.
Clear Image Zoom
This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by additional 200% in Full HD and 150% in 4K. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.
Lightweight, modular and robust
Despite its amazingly light 0.8kg body, FS5 II is more than tough enough for the rigours of real-world shooting. A magnesium chassis ensures high rigidity with ¼-inch screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal or in an underwater housing. A detachable Smart Grip puts all of the FS5’s key functions are at your fingertips and is easily adjusted with the press of a single button.
However you want to shoot, the FS5 II adapts to fit your style. A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted – for example either beside the camera body or directly along the axis of the lens.
Networked for high mobility
Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN.
Control FS5 II from your smartphone or tablet.
Built-in NFC supports one-touch authentication possible with appropriate devices.
Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content.
GPS function automatically records GPS data.
Dual SD card slots with independent record control
To extend recording time and workflow flexibility, FS5 II is equipped with two SDXC/SDHC memory card slots. ‘RELAY’ mode automatically switches recording from the first to the second memory card when the first is full, while ‘SIMUL’ mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). FS5 II’s three start/stop buttons on the grip, handle and camcorder body, can independently start and stop recording on different memory cards while recording in ‘SIMUL’ mode.
Multi-interface (MI) Shoe
FS5 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*
*Accessories sold separately. HVL-LBPC light does not draw power from FS5 II.
Dual XLR inputs
FS5 II has two XLR connecters – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when
Approx. 830g (Body only) Approx. 1lb 13.2 oz (Body only) Approx. 2.2kg (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, lcd panel, handle, grip w/o gripbelt) Approx. 4lb 14.5 oz (with SELP18105G and lens hood[optional], battery pack BP-U30, large eyecup, lcd panel, handle, grip w/o gripbelt)
Dimensions (W x H x D) *1
Approx. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts) Approx. 185.2 x 218.3 x 369.5 mm (with SELP18105G and lens hood[optional], large eyecup, lcd panel, handle, grip w/o grip belt and including the projecting parts) Approx. 4 1/2 x 5 1/8 x 6 7/8 inches (Body only including the projecting parts) Approx. 7 3/8 x 8 5/8 x 14 5/8 inches (with SELP18105G and lens hood[optional], large eyecup, lcd panel, handle, grip w/o grip belt and including the projecting parts)
DC 14.4V (battery pack) DC 12.0V (AC adaptor)
Approx. 11.8W [60i] Approx. 11.5W [50i] (while recording with LCD Off, EVF On when the external device connector is not used.) Approx. 12.6W [60i] Approx. 12.3W [50i] (while recording with LCD On, EVF On when the external device connector is used.)
0°C to 40°C 32°F to 104°F
-20°C to +60°C -4°F to +140°F
Battery Operating Time
With battery pack BP-U90: approx. 6 hours, 40 minutes [60i] approx. 6 hours, 45 minutes [50i] (While recording with LCD On, EVF Off when the external device connector is not used.) With battery pack BP-U60: approx. 4 hours, 15 minutes [60i] approx. 4 hours, 20 minutes [50i] (While recording with LCD On, EVF Off when the external device connector is not used.) With battery pack BP-U30: approx. 2 hours, 10 minutes [60i] approx. 2 hours, 10 minute [50i] (While recording with LCD On, EVF Off when the external device connector is not used.)
Recording Format (Video)
XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible
Recording Format (Audio)
XAVC : Linear PCM 2ch, 24bit, 48kHz AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz
Recording Frame Rate
XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p, 100Mbps/60Mbps XAVC HD (1920 x 1080) @59.94p, 50p, 50Mbps/35Mbps XAVC HD (1920 x 1080)@59.94i, 50i, 50Mbps/35Mbps/25Mbps XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p, 50Mbps/35Mbps XAVC HD (1280 x 720)@59.94p, 50p, 50Mbps AVCHD (1920 x 1080)@59.94p, 50p, PS mode (28Mbps) AVCHD (1920 x 1080) @59.94i/50i/29.97p/25p/23.98p, FX mode (24Mbps) FH mode (17Mbps) AVCHD (1280 x 720)@59.94p, 50p, FX mode (24Mbps) FH mode (17Mbps) HQ mode (9Mbps)
XAVC-L QFHD 100 mode Approx. 65 min with 64 GB memory card XAVC-L QFHD 60 mode Approx. 100 min with 64 GB memory card XAVC-L HD 50 mode Approx. 120 min with 64 GB memory card XAVC-L HD 35 mode Approx. 170 min with 64 GB memory card XAVC-L HD 25 mode Approx. 220 min with 64 GB memory card
Recording/Playback Time - Continued
AVCHD@LPCM 2ch PS Mode Approx. 290 min with 64 GB memory card Approx. 145 min with 32 GB memory card AVCHD@LPCM 2ch FX Mode Approx. 340 min with 64 GB memory card Approx. 170 min with 32 GB memory card AVCHD@LPCM 2ch FH Mode Approx. 450 min with 64 GB memory card Approx. 225 min with 32 GB memory card AVCHD@LPCM 2ch HQ Mode Approx. 590 min with 64 GB memory card Approx. 290 min with 32 GB memory card
5.8x (optical), servo (SELP18105G) f = 18 - 105mm equivalent to f = 30.6 -178.5 mm on 35 mm lens (16:9) (SELP18105G)
AF/MF selecable, Wide: 450 mm to ∞ Tele: 950 mm to ∞ (SELP18105G)
ON/OFF selectable, shift lens (SELP18105G)
72 mm (SELP18105G)
Imaging Device (Type)
"Exmor" Super35 CMOS Sensor
Effective Picture Elements
3840 (H) x 2160 (V)(16:9) 4096 (H) x 2160 (V)(17:9, at RAW output)
Built-in Optical Filters
ND filters OFF: CLEAR 1: 1/4ND 2: 1/16ND 3: 1/64ND Linear variable ND (1/4ND to 1/128ND)
S-Log2/Log3 Gamma ISO2000
0.16Lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24) 0.18Lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
1000 TV lines or more (1920 x 1080i mode)
1/8 to 1/10000 sec. (60i) 1/6 to 1/10000 sec. (50i/24p)